I first produced Covered Sites for an exhibition at American Fine Arts Co. in New York City in 1989 as way to make "paintings withoutpaint". The Covered Sites resulted from the efforts to combine two opposing concepts in one object. The first idea was to make clear that the art object is never free from the web of social and economicsystems it travels through, the other was the desire to make a thing that could still operate in the realm of the aesthetic. Covered refers to a "painting" which rather than showing, or imaging certain preconceived artistic principles (creativity, emotion, etc.) is actually a place (Site) that seeks to hide (cover) its nature, or disguise its own purposes. The look of these works has evolved in the past twenty years, but certain concepts remain unchanged, namely the "painting" itself is never what it appears to be - there is no paint- but instead common fabrics (covers), that are immersed,or run through with certain social fluids (waste water, cosmetics, medical dyes...) that act as surrogates for paint, but also imply the social dimension of every art object, and that, at a structural level, what we often understand as beauty, is intimately connected to, or often a by-product of certain unspoken acts.
Covered Sites (left wall)
installed American Fine Arts Co.
1989
Installation view Capital Project: Covered Sites ( BB, CC, DD, EE )
Waste water over fabrics on canvas
Each 96" x 72"
1989
Installation View ( Covered Sites Q, R,S,T,U,V)
Each 84" x 60"
Waste fluids on fabric over canvas
1991
Installation View ( Covered Sites Q, R,S,T,U,V)
Each 84" x 60"
Waste fluids on fabric over canvas
1991
Installation view Documenta Series The Capital Project
Covered Sites: ( MM, NN, OO)
Each 94" x 72"
Fluids on fabrics over canvas
1992
Detail Covered Site ( MM) Waste Water soaked fabrics over canvas 96" x 72"
1992
Detail Covered Site ( NN) Waste Water soaked fabrics over canvas 96" x 72"
1992